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Phantom Launch ’25. The ground never looked like this before.
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They shop StockX at 8.5 times the average American and buy tickets on Vivid Seats at 15 times. They follow Steve Aoki, Kyle Kuzma, Tony Hawk and Naomi Osaka at 18 to 24 times the national rate, and 88% of them are on YouTube. These are people who never stopped running and who treat a shoe as an object. The Phantom’s 3D-printed lattice midsole is the one thing in the category nobody has shown them from the ground. This campaign puts it in every frame, with the runner mid-stride, in the Terrain world first.
“The ground never looked like this before.”
The category shows the runner. Heritage brands shoot the stride, the sweat and the finish line, and the shoe is a blur under it. This campaign shoots the sole. The specificity test: a foam midsole cannot carry a close-up, and every competitor runs on foam. The lattice is STRIDE’s operating truth, visible from the ground, so the frame that makes this campaign is one no other brand can shoot. The low angle is native to this audience: they shop StockX at 8.5 times the average and follow skate and sneaker culture, where the bottom of a shoe has always been the picture. And the register is confirmation. These people already know they are runners; the film agrees with them.
One runner, one shoe, the Terrain world. The 3D-printed midsole is in every frame, shot from a low angle, with the runner mid-stride. No faces to camera, no copy until the last frame.
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06A runner on the blocks at first light, and the camera is already on the ground. The first thing in focus is the midsole: Ember lattice, black knit above it, the surface under it. Cut to the lattice filling the frame, every strut readable. The launch, shot from the surface, the sole peeling off the ground. Full stride at sunset from a low angle, the midsole lit from the side so the geometry reads at speed. The sole lands and dust comes off the lattice. The only still frame: lacing up on the kerb, the shoe at rest. End line, Bone on Void, Bebas Neue: RUN THE FUTURE. The STRIDE wordmark, bottom right. The :30 hero film extends every beat and adds the Terrain world: trail, coast, snow, the shoe doing the work.
The low angle is already their language: they shop StockX at 8.5x and follow Tony Hawk at 19x the national rate, so the sole-first frame lands without explanation.
Platform audience prompts for this audience (Meta, Google and TikTok inputs, each copyable) are on the next page.
Use these signals to help each advertising platform model the intended audience. Names come from the dataset; each list of platform terms says which signals it was built from; each platform validates what it recognizes when you paste.
Ads Manager → ad set Audience → Advantage+ targeting → Describe your audience (2,000-character limit). Meta reads the description and keeps what it recognizes; interest terms are suggestions that steer delivery, not bind it.
Google Ads → Audience Manager → Custom segment: each list pastes into its own input. Build each input as its OWN segment so their performance separates.
TikTok Ads Manager → Targeting → Interests & behaviors: match each term to TikTok’s native categories and keep what exists.
| Worlds | Terrain for the hero (mountains, forests, snow, coast, the shoe doing the work). Future City (night, rain, neon ambient) for the optional Volt film. Never neutral. |
| Shoe | Phantom Ember leads every hero placement. Arc and Volt appear in colorway-specific executions only. Midsole color-accurate and lit so the lattice reads. |
| Angle | low. The midsole is legible in every hero frame: not obscured, not cropped, not in shadow. If the sole is not readable, the frame does not ship. |
| Talent | mid-performance, no camera awareness. Running, jumping, landing, pushing. No smiling at lens, no posed lifestyle moments. |
| Sound | diegetic: breath, the blocks, the sole on the surface. No score until the end line. |
| Type and palette | Bone on Void, Void on light. The campaign line in Bebas Neue, all caps, no period, no hashtag. Void, Bone, Volt, Ember, Arc only; neon in photography is environment, never type or UI. Headlines under ten words. |
| Wordmark and end card | approved placement only, clear space the cap height of the S, no drop shadows. The end card is comped in post from the logo on file; no generated frame goes out with brand type in it. No third-party logos in frame. |
| Asset | Spec |
|---|---|
| Hero campaign film :30 and :15, 4K, 16:9: YouTube and Reels. Terrain world, Phantom Ember, sole impact shot mandatory, campaign line at close | |
| Social hero reels :06, :10 and :15, 9:16, one per colorway: Reels and TikTok. Midsole in frame within the first two seconds, no text overlay | |
| Three UGC cuts :10, 9:16: TikTok and Reels, one creator each with the Phantom | |
| Static hero image 1:1 and 3:2: Phantom Ember on terrain, low angle, in motion, sole visible, no studio white | |
| OOH 48-sheet and 6-sheet: Void-dominant, Bebas Neue headline, wordmark bottom right, midsole color-accurate | |
| Product e-comm images, three angles per SKU on white: side, sole-up, three-quarter front, all three colorways | |
| Launch emails and omnichannel variants: cut from the master to every retail and social placement | |
| City campaign film :30, Future City world, Phantom Volt or Arc: optional, shoots second | |
| Product page | sole-up view first, Ember leading, $185, the 40% impact figure with its source |